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The Passenger or the search for identity (FW31)

Moving in the Margins: Dance on Television
Second of a two-part article on the history of the Dance and the moving image. By Sherril Dodds
In a landscape of commercially orientated docu-soaps and reality gameshows, the concept of ‘art television’ is a virtual obsurity. With the deregulation of British broadcasting in the 1980s came multiple cable and satellite channels keen to attract audiences previously devoted to terrestrial networks.