|Media Production as Philosophy: Theory and Practice United|
Philosophy and screenwriting theory in Bruce Robinson’s Withnail and I. By Adrain Page
Could it be possible to use philosophy not merely as the theme for a film but also the guiding rpinciple behind its making? This idea might seem too far-fetched if philosophy is thought of as a set of abtruse ideas which are remote from everyday life, but what if it can be the basis of the way we live?